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As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? It’s difficult to describe any part of the filmmaking process as not chaotic - Minding the Gap was by far the most difficult task I’d ever tried to take on. I was working on all these other projects and writing grants to fund the film and...
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